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The Soft Pink Truth - Shall We Go On Sinning So That Grace May Increase? Music Album Reviews

Experimental composer Drew Daniel has put together a gorgeous album that carries itself with the strength of a soft prayer, masterfully fusing jazz, deep house, and minimalism into an enormous, featherlight shield.

Last year, Drew Daniel and M.C. Schmidt celebrated 25 years of mad-genius musical experiments as Matmos with a Plastic Anniversary—an album recorded entirely using plastic. That’s how Matmos albums work; a concept that might seem silly or crass at first glance is backed by a mountain of research, executed with passion and, in that case, ornately recorded using a parade of PVC pipes, riot shields, and breast implants. Since 2001, Daniel’s side-project the Soft Pink Truth has run parallel to Matmos, applying similar twists to the dancefloor. Yet nothing in either project has presaged Shall We Go On Sinning So That Grace May Increase?, a cathartic, emotional windfall unlike anything Daniel has ever recorded.

Daniel thought hard about how to process the anger and despair born out of a worldwide resurgence of fascism and the election of Donald Trump. Instead of making reactive “angry white guy” music, he sought to make life-affirming, healing music founded in community. So he gathered his friends and family, including Schmidt, Horse Lords saxophonist Andrew Bernstein, percussionist Sarah Hennies, and a world-class trio of vocalists: Angel Deradoorian, Colin Self, and Lower Dens singer Jana Hunter. There’s no concept, no edgy sound-sources; its instruments are simply instruments, arranged with a small orchestra of collaborators who generate a huddled warmth against an increasingly cold, dark world. The resulting Shall We Go On Sinning carries itself with the strength of a soft prayer, masterfully fusing jazz, deep house, and minimalism into an enormous, featherlight shield.
Daniel built the album’s nine tracks to flow as two pieces, mixed seamlessly while using a bit of tape delay to unify each peak and valley. “Shall” opens the album with an invocation, as Deradoorian, Self, and Hunter create a choral round singing the titular question, itself an exasperated quote by Paul the Apostle from Romans 6:1. It acts as a focal point of tension, a summoning of negative energy that is exorcised as the chorus shifts on “We” to outward breaths and then long, silky sighs. A glowing synth loop razes any remaining darkness and as the beat drops in, “We” unfurls luxuriously into a deep house odyssey. It’s the first of many spontaneous surprises the album delivers. The rush of glockenspiel on “Go” provides a cleansing transition to the crashing waves of “On,” one of the album’s most soothing corners. Centered around repeating piano chords by pianist Koye Berry, the vocalists fuse into a singular force as Daniel manipulates the edges of the track with mercurial touches. It’s a soothing moment that sets up “Sinning,” a centerpiece for Bernstein and John Berndt’s dueling saxophones as bells, handclaps, and a pulsing bass gradually build up. Though its arrangement feels classical, “Sinning” flows like the sexy, sweaty peak of a house mix.

The second half—“So That Grace May Increase?”—offers its own momentous trajectory. Schmidt joins on piano, developing the central riff on the hypnotically swirling “So,” as horn loops, chanting voices, and percussion fold in on “That.” Daniel’s mixing here is phenomenal, giving each carefully crafted element—the forward swing of the percussion, the warmth of the brass, a garbled tape-looped voice—a moment to shine. Schmidt returns with a tip-toed piano solo on “Grace,” offering a delicate misdirection before the track suddenly explodes into a final, euphoric climax. The album rides this soul-lifting shock to its conclusion, a cathartic gift so breathtaking it rises to the occasion of this moment, that moment, seemingly any moment we have yet to face.

Daniel started the Soft Pink Truth on a dare from UK house legend Matthew Herbert. Matmos just had a breakthrough with the surgery-sampling A Chance To Cut Is A Chance To Cure, while Herbert fused jazz, house, and the human form to create Bodily Functions, one of the most revered and intimate club records of all time. The dare suggests Herbert, who released the Soft Pink Truth’s first albums on his Soundslike label, heard something special in Daniel beyond even the visionary work of Matmos. Nearly 20 years later, that provocation has inspired what feels like a successor to Herbert’s own masterpiece while perfecting themes running throughout the Soft Pink Truth. On previous albums, Daniel reckoned with homophobia in black metal or celebrated punk’s queer history. Shall We Go On Sinning So That Grace May Increase? opens its scope to a harsh world where being gay and thriving is itself an act of defiance. It stares down an apocalypse and fights back with joy, hope, and human connection.
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කමු ද ජුජුබ්ස් කෑල්ලක් 🍭🍭🍭🍭 (Let's Eat A Piece Of Jujubes)

🖊️අවශ්‍ය ද්‍රව්‍ය:
🥇සීනි කෝප්ප එකක් .
🥇වතුර කෝප්ප භාගයක් .
🥇ජෙලටින් මේස හැදි දෙකක් .
🥇ජෙලටින් දිය කර ගැනීමට වතුර කෝප්ප බාගයක් .
🥇රතු කහ කොළ වර්ණක බින්දුව බැගින් .

ෂුගර් කුකීස් හදන විදිහ (How To Make Sugar Cookies)

අද අපි කියලා දෙන්න යන්නේ දරුවන්ටම විශේෂ වූ කුකීස් වර්ගයක් ගැන. දරුවන්ට රසට කන්න පුළුවන් වගේම අම්මලට ලේසියෙන් හදන්නත් පුළුවන්. කඩෙන් මිලදී ගන්න බිස්කට් වගේ කල් තබාගැනීමේ ද්‍රව්‍ය මුකුත් දාන්නැති නිසා කිසිම බයක් නැතුව ළමයින්ට දෙන්නත් පුළුවන්නේ.
විනාඩි 30ක් වගේ සුළු වෙලාවකින් මෙය සාදා නිමකරගත හැකි වගේම කැමති ආකාරයට හැඩ කරගත හැකිය. එනම් අපි බලමු හදන්නේ කොමද කියලා.
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බටර් 100gසීනි 100gබිත්තර 01පාන් පිටි 150gබේකින් පවුඩර් තේ හැඳි 01වැනිලා තේ හැඳි 01

හිසක් නොමැතිව මාස 18 ක් ජීවත් වූ කුකුළා (A Cock That Lived For 18 Months Without A Head)

මීට අවුරුදු හැත්තෑවකට පෙර කොලරාඩෝ හි ගොවියෙකු කුකුළෙකුගේ හිස ගසා දැමූ අතර ඒ කුකුළා මැරුනෙ නෑ. මේ නිසා එම කුකුළා මයික් නමින් ප්‍රසිද්ධියට පත්වුනා විතරක් නෙමේ මාස 18 ක් ජීවත් වුනා. නමුත් ඔහු මෙතරම් කාලයක් හිසක් නොමැතිව ජීවත් වූයේ කෙසේදැයි ක්‍රිස් ස්ටෝකල් වෝකර් අසයි.1945 සැප්තැම්බර් 10 වන දින කොලොරාඩෝ හි උටා වල පිහිටි ඔවුන්ගේ ගොවිපොළේ දී ලොයිඩ් ඔල්සන් සහ ඔහුගේ බිරිඳ ක්ලාරා කුකුළන් මරනු ලැබුවා. ඔල්සන් කුරුල්ලන්ව මරන අතර ඔහුගේ බිරිඳ කුකුළු මස් පිරිසිදු කරයි. නමුත් එදින ඔල්සන්ගේ සතුන් 40 ක් හෝ 50 න් එකෙක් අනෙක් උන් මෙන් හැසිරුණේ නැත.
“එකෙකු අවසානයට, තවමත් ජීවතුන් අතර සිට, නැගිට ඇවිදගෙන යමින් සිටියා” යනුවෙන් මෙම යුවළගේ මුනුබුරා වන ට්‍රෝයි වෝටර්ස් පවසයි. කුකුළු මස් නැත්තම් හිස නැති කුකුළා දිව්වා, නතර වුණේ නැහැ.මස් ටික රෑ ගොවිපොළේ ආලින්දයේ පැරණි ඇපල් පෙට්ටියක තබන ලද අතර, පසුදා උදෑසන ලොයිඩ් ඔල්සන් අවදි වූ විට, සිදුවූයේ කුමක්දැයි බැලීමට ඔහු පිටතට ගියා. වෝටර්ස් පවසන්නේ “නපුරු සතා තවමත් ජීවතුන් අතර සිටි” බවයි. “එය අපේ අමුතු පවුල් ඉතිහාසයේ කොටසක්” යැයි ඔහුගේ බිරිඳ ක්‍රිස්ටා වෝටර්ස් පවසයි.