Skip to main content
Englich - Your Choice Way Sinhala - Your Choice Way

Bad Bunny - LAS QUE NO IBAN A SALIR Music Album Reviews

With most tracks pulled from the cutting room floor of the YHLQMDLG sessions, Bad Bunny shows he’s in full command of his music, even when it’s a little rough around the edges.

Like almost everyone else, Bad Bunny’s life got derailed when the coronavirus pandemic swept across the globe. Unlike most everyone else, he was coming off a performance with Shakira at the Super Bowl and shooting scenes for his debut acting role in the new season of Netflix’s Narcos: Mexico when much of the western world shut down, sending him back home to Puerto Rico to wait out the crisis. Weeks of isolation tested the limits of his ability to entertain himself—and us—without leaving the house. As he told Rolling Stone, he grabbed some old beats, called up some OGs, and pulled up to his engineer La Paciencia’s crib to track some vocals. And less than three months after dropping YHLQMDLG, the high-water mark of his career, Bad Bunny had a new album out.
The title of that album, LAS QUE NO IBAN A SALIR, loosely translates to “The ones that weren’t coming out,” a play on words that references both the songs on the record as well as Bad Bunny himself, holed up in an Airbnb with his partner since March. Nine of the 10 tracks were pulled from the cutting room floor of the YHLQMDLG sessions; unfinished, unmixed, and unmastered beats with no vocals that Bad Bunny resurrected while in isolation, with a little help from his friends. Most of them appeared in some form during his marathon home quarantine concert broadcast live on Instagram earlier this month.
The record plays quick and dirty, with uncharacteristically crunchy production value and lo-fi aesthetics. Even the album cover is lo-res. YHLQMDLG was a slickly produced homage to marquesina mixtapes; LAS QUE NO IBAN A SALIR sounds like it could actually be one, the kind of record a teen Bad Bunny might play at one of those underground garage parties. He says he put the record together in two days, and it shows. But far from detracting from the experience, the loose grit is part of the appeal. “Reggaetoncitos” that smooth out reggaeton’s rougher edges may have helped it merge with the mainstream, but Bad Bunny’s career has been defined by pulling the mainstream closer to him, as opposed to vice versa. Even as he’s reshaped urbano in his own image, he’s shown a healthy respect and admiration for its underground outlaw beginnings, and consistently made the case that there’s room for perreo on the pop charts.

A quick glance at the guest features reveals the dichotomy of old school and new school—legends like Don Omar, Yandel, and Zion y Lennox represent the OGs, while nascent hitmaker Jhay Cortez offers a glimpse of the talent in urbano’s next generation. And while YHLQMDLG standout “Safaera” felt like a five-minute tribute to DJ Playero’s genre-defining mixtapes of the 1990s, he tips his cap to them even more directly here. “BAD CON NICKY,” his collaboration with Medellin-via-Puerto Rico reggaetonero Nicky Jam, samples Daddy Yankee’s “Donde Mí No Venga,” a seminal track in reggaeton’s history from Playero 37 that makes plain the lineage that connects reggae en español and reggaeton.

Lyrically, LAS QUE NO IBAN A SALIR mostly sticks to Bad Bunny’s trademark sex flexes and party jams. But even in tossed-off mixtape verses, he retains a goofy charm; “Tantos hijos que no sé cómo los crío/Y en los dedos tengo el iceberg que rompió el Titanic/Los mato flow Sosa y quedan blancos como Sammy” he raps on “RONCA FREESTYLE” (“So many kids that I don’t know how I raise them/And on my fingers I have the iceberg that sunk the Titanic/I kill them, Sosa flow and they're left white like Sammy”).

The album’s final track was the only one made from scratch during Bad Bunny’s self-imposed quarantine and offers the most literal view of his life in isolation. He compares the cause of his hermetic lifestyle to Puerto Rico’s corrupt governor, lamenting both his canceled concerts and lack of access to AutoTune. It’s also duet with his partner Gabriela Berlingeri, who has proven to be as much a collaborator as she is a paramour since the pair went public with their relationship earlier this year—she laid the reference vocals for his JLo collab “Te Guste,” and even shot his recent Rolling Stone cover. LAS QUE NO IBAN A SALIR is incomparable to Bad Bunny’s first two LPs: Those were two carefully crafted masterpieces, whereas this is merely an extracurricular project from a bored superstar trapped in a house for weeks on end. That it’s still this good is a reminder of his otherworldly talent.

👉👇You May Also Like👇👌

View the original article here


Populat Posts Last 7 Days

Chris Brown/Young Thug - Slime&B Music Album Reviews

Rap’s trickster god and R&B’s least tolerable person collaborate on a mixtape with no discernible upside. 
Of the many strange pop-culture artifacts to emerge from quarantine, a collaboration between Young Thug and Chris Brown probably falls higher on the plausibility index than Beyoncé shouting out OnlyFans or the name X Æ A-12, but their new mixtape, Slime&B, still feels beyond explanation. It’s hard to imagine it existing in a world less dystopian than the one we’re in now. The title implies a meeting of the minds and a marrying of their styles, yet this is a clear mismatch. Brown, while still commercially viable, has been slumping creatively. Thug is at the height of his success and near the peak of his powers. To work with Brown, Thug must sacrifice a ton of what makes him special and engaging. Why go from So Much Fun to so little?

How to Setup an AddMeFast Bot With iMacros

Introduction AddMeFast is a website where you can collect points for various social media tasks. These mostly include following accounts, liking tweets or viewing YouTube videos. Register Now - addMeFast

Strawberry Cheesecake Trifle

Strawberry Cheesecake Trifle is a delicious dessert featuring layers of angel food cake, fluffy sweetened cream cheese, and fresh strawberries in a sweet strawberry glaze. It’s easy to throw together and perfect for your next summer dinner party. Follow these keys to success for stellar results every time.

ෆජ් අයිසින් (Fudge Icing)

කෑම ලන්තයෙන් අද ඔබට ෆජ් අයිසින් තැවරූ චොකලට් කේක් එකක් සාදන ආකාරය පිළිබඳව දැනුවත් කිරිමටයි මේ සුදානම.
කේක් කිව්ව ගමන් මතකයට එන්නේ චොක්ලට් කේක්. වැඩි දෙනෙක්ගේ කැමැත්ත තියෙන්නේ චොක්ලට් කේක් කන්නයි. චොක්ලට් අයිසින් කේක් නම් තවත් හොදයි. චොක්ලට් අයිසින් කේක් හදද්දී තමයි මේ ෆජ් අයිසින් එක භාවිතයට ගන්නේ. චොක්ලට් අයිසින් එක ලස්සනට දිලිසේනවානම් ඒ තමයි ෆජ් අයිසින්. කේක් කියන්නේ හොද ස්වයං රැකියාවක්. කේක් වර්ග වගේම අයිසින් වර්ගත් මෙහිදී ඕන වෙනවා. හොද ලාභදායි ස්වයං රැකියාවක් විදිහට කේක් හදනවනම් මේ හැමදේම දැනගෙන ඉන්න ඕනේ.ඒ නිසා කෑම ලන්තයෙන් ෆජ් අයිසින් පිලිබදව ඔබව දැනුවත් කිරීම සදහා සුදානම්ව සිටිනවා. එසේනම් අපි බලමු ෆජ් අයිසින් සාදාගන්නා ආකාරය.
අවශ්‍ය ද්‍රව්‍ය: කුකින් චොක්ලට් ග්‍රෑම් 250වැනිලා තේ හැඳි 1අයිසින් සීනි මේස හැඳි 1ෆ්‍රෙෂ් ක්‍රීම් කෝප්ප 1/4

මුර්තාබක් රොටි (Murtabak Roti)

අද අපි හදන්න යන්නේ රාමලාන් කෑමක්.  මුර්තාබක් රොටී කියන්නේ ඉතාමත් ප්‍රණීත ආහාරයක්. මීට ඉස්සෙල්ලා මේ රොටිය ගැන අහලවත්, කාලවත් නැත්නම් අදම හදලා බලන්න. ඔන්න ඒනම් අපි බලමු මුර්තාබක් රොටි හදන විදිය.
පිටි මෝලිය සදහා අවශ්‍ය ද්‍රව්‍ය: පිටි 200gලුණු ස්වල්පයක්මාගරින් තේ හැදි 02වතුර අවශ්‍ය පමණට